top of page
About Us
beta
site
Home
Stream
Read
myStream
Sign In
Post-Production Call
Full Job Description
Please complete the screening questionnaire below:
First name
*
Last name
*
Email
*
Phone
Note: Please skip this step if you have already submitted your resume/CV.
Upload Resume/CV
Which role are you applying for? (Select all that apply)
*
Editor
Colorist
Sound Designer
How many years of experience do you have as an online editor?
*
1–3 years
3-5 years
5+ years
Not applicable (N/A)
How many years of experience do you have as a coloirst?
*
1–3 years
3-5 years
5+ years
Not applicable (N/A)
How many years of experience do you have as a sound designer?
*
1–3 years
3-5 years
5+ years
Not applicable (N/A)
Do you have experience with object removal in post-production (such as removing boom pole shadows, light stands, or lav mic wires)?
*
Yes, extensively
Yes, occasionally
N/A
Have you previously worked as an online editor, colorist, or sound designer to collaborate on a rough cut edited directly by the director?
Yes, in all three capacities
Yes, as an online editor only
Yes, as a colorist only
Yes, as a sound designer only
Please provide a direct link to your website, portfolio or recent work (include passwords if protected). If your work is hosted elsewhere, share a viewable drive link (Vimeo, YouTube, Google Drive, Frame.io).
*
Do you have experience with narrative short or feature film?
Yes
No
Other
What is your primary non-linear editing software? Please specify if it is a paid version.
*
Do you operate out of your own post-production facility or home studio? If so, please outline your workstation specs, active software licenses, and monitoring/listening environment.
*
Are you available to work on-site at the director's workspace in GTA as needed?
*
Yes
No
Colorists Specific: Which color-managed workflows do you typically use?
*
DaVinci Wide Gamut / Intermediate (DWG/DI)
ACES (Academy Color Encoding System)
Adobe Color Management (Premiere/After Effects)
Rec. 709 / Gamma 2.4 Direct Grading
Other Custom LUT-based Workflow
Not applicable (N/A)
Other
Colorists Specific: Do you have experience color grading a log profile?
*
Yes
No
N/A
Other
Colorist Specific: Do you have experience executing a day-to-night (dusk/night conversion) look during color grading?
Yes, extensively
Yes, occasionally
No
N/A
Colorists Specific: Do you work on a color-calibrated display?
*
N/A
No
Yes
Sound Specific: Do you handle dialogue cleanup and restoration alongside creative sound design and Foley with a final mix?
*
Yes
No
N/A
Sound Specific: What delivery standards are you comfortable mixing to? (Select all that apply)
*
Web / Streaming (-14 LUFS)
Broadcast TV (-24 LKFS)
Theatrical (Dolby Atmos / 5.1 Surround)
Podcast / Specialized Web (-16 LUFS)
N/A
Other
Sound Specific: When receiving an edit turnover for sound design/mix, which of the following do you typically require from the editor? (Select all that apply)
*
AAF or OMF export with handles (e.g., 24–48 frames, linked or embedded media)
Reference video with timecode burn-in
Production dialogue/production sound rolls
Audio guide track / temp mix
EDL (Edit Decision List) or XML file
N/A
Other
Are you comfortable with tight turnaround times and high-pressure work environments?
*
Yes
No
What is your preferred method of project collaboration/feedback, e.g. email, in-person, virtual, etc?
What is your current availability?
*
Immediate
2-3 weeks
Other
Estimated days needed for a final, high-resolution master file and final audio mix on a 15–20 minute cut?
What is your preferred Project Flat Rate or a Day Rate Range?
How many review passes or revision rounds are standardly included in your quoted day or project rates?
Is there anything else you would like to tell us about yourself?
Submit
bottom of page