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Post-Production Call
Please complete the screening questionnaire below:
Which role are you applying for? (Select all that apply)
How many years of experience do you have as an online editor?
How many years of experience do you have as a coloirst?
How many years of experience do you have as a sound designer?
Do you have experience with object removal in post-production (such as removing boom pole shadows, light stands, or lav mic wires)?
Have you previously worked as an online editor, colorist, or sound designer to collaborate on a rough cut edited directly by the director?
Do you have experience with narrative short or feature film?
Are you available to work on-site at the director's workspace in GTA as needed?
Colorists Specific: Which color-managed workflows do you typically use?
Colorists Specific: Do you have experience color grading a log profile?
Yes
No
N/A
Other
Colorist Specific: Do you have experience executing a day-to-night (dusk/night conversion) look during color grading?
Colorists Specific: Do you work on a color-calibrated display?
Sound Specific: Do you handle dialogue cleanup and restoration alongside creative sound design and Foley with a final mix?
Sound Specific: What delivery standards are you comfortable mixing to? (Select all that apply)
Sound Specific: When receiving an edit turnover for sound design/mix, which of the following do you typically require from the editor? (Select all that apply)
Are you comfortable with tight turnaround times and high-pressure work environments?
What is your current availability?
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